Monday, May 25, 2020
Ugolino and His Sons - 2648 Words
Ugolino and His Sons Introduction to Art Principles City College of New York, CUNY Presented by: Markous Soliman Presented to: Prof. William Behnken Art had played an important role in building up civilizations from all over the world through thousands of centuries. It is and will always still the way of projecting artistsââ¬â¢ ideas and thoughts into meaningful and tangible objects which we called ââ¬Å"work of artâ⬠. In addition, It was the path through all these years that dug its way to reach to our current century to show us the beauty of every single era starting from the Upper Paleolithic Period of time (42,000 ââ¬â 8,000 BCE) reaching to our contemporary artists of today. One of the most representing works toâ⬠¦show more contentâ⬠¦Away from the head, the sculpture presented the way Ugolinoââ¬â¢s body shrinking and taking a smaller form by bending his back to the front, putting his arm on his leg, crossing up his legs to each other and putting his curled toes on top of each other. These all resembled the intensive way of thinking and worrying that Ugolino had about his offspring. Moreover, the naked state of all of the figuresââ¬â¢ bodies (Ugolino and his sons) expresses the darkness of the situation where is nothing surrounding them but starvation and the dreadful dreams of it. On top of that, the sculpture presented his four different-aged kids with different angles of bodies and gestures. As the eldest (the one on the bottom left) is hugging his fatherââ¬â¢s legs offering his body to his father so his suffer can end and his dad can sustain more. Also, the youngest (the one on the bottom right) seemed dead on the ground underneath Ug olino because of starving, closing his eyes and relying all his body on Ugolinoââ¬â¢s legs. But he also imaged both of the two middle-aged kids - on the top right and on the top left ââ¬â as they seemed halfway hopeless of living anymore trying to hold on to their father. The one on the left was trying to put his arms on his fatherââ¬â¢s thigh so he doesnââ¬â¢t fall like his youngest brother. And the one on the right was trying to hide himself beneath his fatherââ¬â¢s chest,Show MoreRelatedAnalyzing Jean Baptiste Carpeauxs Sculpture Ugolino and His Sons668 Words à |à 3 PagesUgolino and his sons, by Jean Baptiste Carpeaux Jean Carpeaux who was an astounding sculpture breaks away from tradition and other historical subjects to come up with a unique way of expressing his feelings and ideas. In the sculpture of Ugolino and his sons, Carpeaux incorporates his sculpture with a past unseen liberty and immediacy. Jean-Baptiste brings to the public a lively individuality with his sculptures to distinguish him from the rest. The Ugolino and sons sculpture was inspired byRead MoreThe Divine Comedy By Dante Alighieri Essay1691 Words à |à 7 Pagespoets. One of Alighieriââ¬â¢s most famous works of art would be his poem called the Divine Comedy written in year 1320. The poem itself has a heavy Christian influence and it entails the journey of Dante, the protagonist as he travels through hell, purgatory and finally paradise. Additionally, the poem captures Danteââ¬â¢s journey as he gets closer to god. 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Also, Neoclassical paintings featured a heavy use of chiaroscuro (contrast between light and shadow for dramatic effect) and The Raft Of The Medusa has that in spades with the sunlight just barely peeking out behind the cloud to the left Read MoreDantes Inferno- Symbolism1592 Words à |à 7 PagesMinos. He is the son of Zeus and Europa and had been a King of Crete while in the world of the living. It is said of Minos that ââ¬Å"His terrifying treatment of the souls is significant as after Charon, he is one of the first figures who they encounter on their passage into hell, and his unique method of demonstrating which area of hell that the souls should be sent to increases the horror and adds to the alarming atmosphereâ⬠(Source 1). This is said in reference to Minos wrapping his tail around theRead MoreThe Divine Comedy: Allegory2235 Words à |à 9 Pagesat the beginning of the journey ( half of manââ¬â¢s biblical life span ââ¬Å"threescore and ten yearsâ⬠(Psalm 90:10) o Lost his way on ââ¬Å"the true pathâ⬠of life ( sin has obstructed his path to God o Explores the nature of sin by traveling through hell o Rooted in the Everyman allegorical tradition ( represents humanity o Little known about his life on earth o Committed a sin never specified o Participated in Florentine politics o Often sympatheticRead MoreMovement and Stasis in the Divine Comedy Essay2889 Words à |à 12 Pagesthe physicality of the lost Dante, wandering in the perilous dark wood. His movement within the strange place is confused and faltering; `Io non so ben ridir comio ventrai. Moreover, it is clear that the physical distress he is experiencing is the visible manifestation of the mental anguish the poet is suffering. The allegory of the image is one of mid-life crisis, but it is physically represented by the man losing his way in a dark wood. Such an observation may seem far too simple and obviousRead MoreEssay about Comparing the Underworlds in Danteââ¬â¢s Inferno and The Odyssey2108 Words à |à 9 Pageswhom they have had an intimate instructs them to. In The Odyssey, Circe instructs Odysseus to ââ¬Å"make [his] own way down to the moldering House of Deathâ⬠(246). In the Inferno, Dante feels trepidation about his journey and doesnââ¬â¢t feel worthy as he s tates, ââ¬Å"But why should I go there? who allows it?/ I am not Aeneas, nor am I Paul./ Neither I nor any think me fit for this.â⬠(Canto II: 31-33). His nerves are eased when Virgil tells him that he was sent by Beatrice, Danteââ¬â¢s love. ââ¬Å"I who bid you go
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